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BBC Your Paintings - John Cheall

Saatchi Art


"John has a unique clarity of vision and the remarkable skill to manifest it in his paintings. He paints with a closely observed intensity which produces work not only of extraordinary realism, but also of a hyper-real otherworldliness." Keith Logan, Gallerytop.




Chatsworth House, Derbyshire

Addenbrookes Hospital, Cambridge

J D Wetherspoon plc

Leicestershire Collection for Schools

Rampton Hospital. Leicestershire

Morrisons PLC (permanent display, Morrisons supermarket, Bulwell, Nottingham)

Wilkinson Hardware PLC

Biotechna PLC

Djanogly City Technology College Nottingham

British consulate Berlin.


Private collections in Europe and USA



'My childhood and youth were spent on the edge of the North Yorkshire Moors. I became accustomed to being able to reach the high moor within only minutes of leaving my door. A powerful and noble solitude was mine whenever I chose, huge vistas stretched in all directions, the towns below diminished to manageable scale, suddenly insignificant. It was here that I began landscape painting in the mid 1980's, seeking to bring a piece of that exhilaration and clarity back to my room.

My paintings are inspired by nature, I merely seek to paint things as I honestly see them. To this end I use the camera as a tool for recording scenes and then back in the studio I work from great numbers of photographs. The camera is unsurpassed as a device for recording topographical and lighting information. It has been a tool of artists since the renaissance. The paintings take so long to complete that it is not always possible to execute them en plein air. Though I have worked directly from nature I do not consider any advantage to be gained thereby. The amount of detail I require often necessitates long hours with a small brush under controlled lighting conditions. However I do not consider my works as copies of photographs for the following reasons; the range and intensity of the hues of paints exceeds those of the photograph, the texture and resolution of paint is of a higher order, closer to nature. In addition, the tactile qualities of paint and the range of possible application techniques in the translation of the raw paint into form, closely parallel the forms and processes of nature. The finished painting will, especially when viewed 'in the flesh' elevate any subject well beyond a level attainable with commonplace photography and thus demand a longer engagement. Some interpretation of the photographic source does occur of course if it results in a stronger picture, for example I will often only use the topography and improvise the lighting effects or I will collage elements from several photographs to make an image. The development of hi quality digital photography and manipulation means that I can now be at the easel working from large numbers of photographs taken that same day while the landscape experience is still fresh in my mind.

I consider the language of the actual 'photographic' appearance of things to be universal. It does not require special education to understand or depend upon supportive or explanative text. Painting is a communicative medium and as such should be able to deliver it's content directly to the viewer without resort to other media. Using this language of appearance I am trying to paint pictures distilled from my notions and musings upon the tension between the natural world and the onslaught of humankind. To this end I paint a range of subjects from the hard core urban through the pastoral to the sublime solitude of mountain summits though in recent years I have tended towards the latter, largely for my sanity and my own walls! It is more important now for me to celebrate the numinous in nature rather than its absence in the cities.'





Adelaide, South Australia. 1965




Guisborough, Cleveland, England.1968-87


Newstead Primary

Laurence Jackson Secondary

Prior Pursglove 6th Form College

Redcar Technical College


Foundation Course, Cleveland College of Art, Middlesbrough. 1985-87


Ba (hons) Fine Art, Painting. Loughborough College of Art and Design, Leicestershire.1987-1990


Living now in Nottingham, England




1985 3 artists, Guisborough Library. Cleveland.

1987 GCU show, Guisborough. Cleveland.

1990 Students' Degree Show, Loughborough and Covent Garden, London.

1991 Leicestershire collection for schools, Beaumanor Hall, Loughborough.

1992 Walton Galleries, Guisborough, Cleveland.

1992 Fylingdales Group, Whitby, North Yorkshire.

1992 Solo show. Ferrers Gallery, Staunton Harold, Leicestershire.

1993-2015 Look Gallery, Helmsley, North Yorkshire. (permanent display, tel. 01439 770545)

1994-96 Byard Gallery, Nottingham. (now Byard Art Agency, Cambridge, tel.01223 560 400)

1996 Solo show. Patchings Farm Gallery, Nottinghamshire.

1997 Ferrers Gallery, Staunton Harold, Leicestershire.

1998 world wide web

1999 Michael Pybus Gallery, Whitby, North Yorkshire

1999 Solo show. Ferrers Gallery, Staunton Harold, Leicestershire

1999 TAG Sale Exhibition., London.

2000 Chelsea Art Fair, London

2002 HAUS Art, Southwell, Notts.

2003 Affordable art fair, London

2003 Chelsea art fair, London.

2008-2014 Gallerytop, Derbyshire

2015 Prize winner at Nottingham Castle Open Exhibition

2016 Solo Exhibition at The Tarpey Gallery


Permanently on display at Look Gallery, Helmsley, North Yorkshire.







Prizewinners and curators at the 2015 Nottingham Castle Open.
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